Being written for presentation at ‘Marx at the Movies’, these notes address the topic from an angle which is rarely treated in film and video scholarship, that of the peculiar labour process and mode of production involved. Continue reading
Events since the near-death experience of finance capital in 2008 have succoured renewed attention not to Marxism as a political creed but to Marx as the urtext of the proper analysis of the capitalist system. On the one hand, old established Marxist scholars like Fredric Jameson, Terry Eagleton and David Harvey have all published new books, while on the other, numerous articles alluding to Marx’s relevance have appeared in both the capitalist press and independent weeklies, sometimes even on the radio (though never television). On the web, you can find a growing number of videos about capitalism, its discontents and dysfunctions, strongly informed by Marxist ideas, jostling for attention with an explosion of more anarchistic street level video activism. Continue reading
Two activists from Occupy LSX, Martin Eiermann and Jamie Kelsey-Fry, talk about the eviction the morning after.
[vimeo]http://vimeo.com/37617578[/vimeo]
The Thesis Whisperer 22/02/2012
Posted: February 6, 2012 
Submitted for publication by working class self organisation at libcom.org on Feb 5 2012 19:20
Health workers in Kilkis, Greece, have occupied their local hospital and have issued a statement saying it is now fully under workers control.
The general hospital of Kilkis in Greece is now under workers control. The workers at the hospital have declared that the long-lasting problems of the National Health System (ESY) cannot be resolved.
The workers have responded to the regime’s acceleration of fascism by occupying the hospital and outing it under direct and complete control by the workers. All decisions will be made by a ‘workers general assembly’.
The hospital has stated that. “The government is not acquitted of its financial responsibilities, and if their demands are not met, they will turn to the local and wider community for support in every possible way to save the hospital defend free public healthcare, to overthrow the government and every neo-liberal policy.”
From the 6th February, hospital workers will only deal with emergencies until their wages, and monies owed have been paid. They are also demanding a return to wage levels prior to the implementation of austerity measures.
The next general assembly will take place on the 13th, and a related press conference will be given on the 15th.
The following statement has been issued by the workers:
1. We recognize that the current and enduring problems of Ε.Σ.Υ (the national health system) and related organizations cannot be solved with specific and isolated demands or demands serving our special interests, since these problems are a product of a more general anti-popular governmental policy and of the bold global neoliberalism.
2. We recognize, as well, that by insisting in the promotion of that kind of demands we essentially participate in the game of the ruthless authority. That authority which, in order to face its enemy – i.e. the people- weakened and fragmented, wishes to prevent the creation of a universal labour and popular front on a national and global level with common interests and demands against the social impoverishment that the authority’s policies bring.
3. For this reason, we place our special interests inside a general framework of political and economic demands that are posed by a huge portion of the Greek people that today is under the most brutal capitalist attack; demands that in order to be fruitful must be promoted until the end in cooperation with the middle and lower classes of our society.
4. The only way to achieve this is to question, in action, not only its political legitimacy, but also the legality of the arbitrary authoritarian and anti-popular power and hierarchy which is moving towards totalitarianism with accelerating pace.
5. The workers at the General Hospital of Kilkis answer to this totalitarianism with democracy. We occupy the public hospital and put it under our direct and absolute control. The Γ.N. of Kilkis will henceforth be self-governed and the only legitimate means of administrative decision making will be the General Assembly of its workers.
6. The government is not released of its economic obligations of staffing and supplying the hospital, but if they continue to ignore these obligations, we will be forced to inform the public of this and ask the local government but most importantly the society to support us in any way possible for: (a) the survival of our hospital (b) the overall support of the right for public and free healthcare (c) the overthrow, through a common popular struggle, of the current government and any other neoliberal policy, no matter where it comes from (d) a deep and substantial democratization, that is, one that will have society, rather than a third party, responsible for making decisions for its own future.
7. The labour union of the Γ.N. of Kilkis will begin, from 6 February, the retention of work, serving only emergency incidents in our hospital until the complete payment for the hours worked, and the rise of our income to the levels it was before the arrival of the troika (EU-ECB-IMF). Meanwhile, knowing fully well what our social mission and moral obligations are, we will protect the health of the citizens that come to the hospital by providing free healthcare to those in need, accommodating and calling the government to finally accept its responsibilities, overcoming even in the last minute its immoderate social ruthlessness.
8. We decide that a new general assembly will take place, on Monday 13 February in the assembly hall of the new building of the hospital at 11 am, in order to decide the procedures that are needed to efficiently implement the occupation of the administrative services and to successfully realise the self-governance of the hospital, which will start from that day. The general assemblies will take place daily and will be the paramount instrument for decision making regarding the employees and the operation of the hospital.
We ask for the solidarity of the people and workers from all fields, the collaboration of all workers’ unions and progressive organizations, as well as the support from any media organization that chooses to tell the truth. We are determined to continue until the traitors that sell out our country and our people leave. It’s either them or us!
The above decisions will be made public through a news conference to which all the Mass Media (local and national) will be invited on Wednesday 15/2/2012 at 12.30. Our daily assemblies begin on 13 February. We will inform the citizens about every important event taking place in our hospital by means of news releases and conferences. Furthermore, we will use any means available to publicise these events in order to make this mobilization successful.
We call
a) Our fellow citizens to show solidarity to our effort,
b) Every unfairly treated citizen of our country in contestation and opposition, with actions, against his’/her’s oppressors,
c) Our fellow workers from other hospitals to make similar decisions,
d) the employees in other fields of the public and private sector and the participants in labour and progressive organizations to act likewise, in order to help our mobilization take the form of a universal labour and popular resistance and uprising, until our final victory against the economic and political elite that today oppresses our country and the whole world.
One single, secular, democratic state in Palestine:
A Republic of all its citizens!
www.1not2.org/One_State_in_Palestine
Interesting discussion going on recently over on Film-Philosophy about that old bugbear, the relation of theory to practice in our teaching and study of film. This debate has a history which, in the UK at least, goes back to the 1970s, when the art colleges taught experimental film making, and the then polytechnics and a few new universities began to include film-making in their undergraduate film courses. Film theory as such was still taking shape, and video was in its earliest stages. In an atmosphere charged with radical intellectual fervour, the theoretical input led to much experimentation in colleges of creative practice—the watchword of the time was deconstruction. The paradigm for the infusion of theory into practice could be found in the work, for example, of Laura Mulvey and Peter Wollen, who established themselves on screen and on page, together and separately, as leading denizens of both. Some of the people emerging from this habitus made the break and went on to successful careers in the mainstream, but independent film-making informed by theoretical critique remained in the margins. Continue reading
Alan Gross, a 62-year-old US citizen, has been imprisoned in Cuba since December 2009. He fell foul of the authorities while working for USAID, liaising with Cuba’s small Jewish community. The Washington Post earlier this month demanded his release, saying that ‘Cuba’s accusations stem from Mr Gross’s humanitarian work’. When he was convicted for ‘acts to undermine the integrity and independence’ of Cuba and sentenced to 15 years in jail, Hillary Clinton said that ‘he did not commit any crime’ but was ‘assisting the small Jewish community in Havana that feels very cut off from the world’ by improving their internet connection.
It’s one of those symbolic moments: a couple of weeks ago, Kodak filed for bankruptcy because it has failed to keep up with the shift from analogue to digital photography. This is the company that launched the consumer market for amateur photography in 1888, with its famous box camera. A dozen years later, by inventing a process of continuous casting of the celluloid film strip, they created the first monopoly in the new film industry. For decades the company remained at the cutting age of communications technology, from aerial surveillance to microelectronics, but it’s finally been outpaced by digitisation.
I’ve been reminded that I wrote an article back in 1978 called ‘The Kodak Shift’, analysing Kodak’s key position in the culture industry. Here it is: The Kodak Shift
Patricio Guzmán’s latest film finally reaches London at a DocHouse screening on 2nd February.
The Atacama desert in the north of Chile—the location for Patricio Guzmán’s Nostalgia de la luz (Nostalgia for the Light)—is one the driest places on earth, where astronomers have located optical and radio telescopes to take advantage of the extraordinarily clear air, the zero humidity and almost total lack of clouds, and an absence of light pollution and radio interference from nearby cities. In the film’s opening scenes, Guzmán’s gentle voice tells us how he became attracted to the region as a consequence of his boyhood fascination with astronomy and enthusiasm for Jules Verne—the subject of a film he made for French television a few years ago (Mon Jules Verne, 2005)—and he now waxes lyrical over the magnificence of the Atacama skies, where an extraordinary number of stars and constellations can be seen even by the naked eye. The first film that Guzmán has shot in HD, the pellucid light of the film’s title, and the bleak expanses of the extraordinary landscape, are beautifully captured in the limpid cinematography of Katell Djian. The soundtrack too is permeated by the landscape, full of silences and reticent touches of music by the Chilean musicians Miranda and Tobar.